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Posted: March 28th, 2008, 2:40pm GMT
The Brooklyn Academy of Music is presenting “Love in Hard Times,” a monthlong, three-program tribute and retrospective to Paul Simon.
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Posted: March 28th, 2008, 8:33am GMT
Patti LuPone has found her focus as a dangerously obsessed Momma Rose in a wallop-packing revival of “Gypsy.”
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Posted: March 28th, 2008, 7:35am GMT
An air of orderly professionalism pervades the Armory Show on Pier 94.
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Posted: March 28th, 2008, 6:33am GMT
Adrian Piper at Elizabeth Dee, Lutz Bacher at Taxter & Spengemann, Rashid Johnson at Nicole Klagsbrun Gallery and more.
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Posted: March 28th, 2008, 6:32am GMT
Sotheby’s is calling the 108 works in its April 9 sale in Hong Kong “the largest and most important collection of Chinese contemporary art ever to appear at auction.”
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Posted: March 28th, 2008, 5:49am GMT
A prominent artist who had run-ins with both church and state in her native Russia has disappeared without a trace from her new home in Berlin.
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Posted: March 28th, 2008, 5:38am GMT
“Run, Fat Boy, Run” is an inspirational fantasy with guy’s-guy banter and gross-out humor. Yet it’s effective and affecting.
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Posted: March 28th, 2008, 5:35am GMT
No other network came close to catching Fox in the ratings on Wednesday, as 25.4 million viewers tuned in for the results edition of “American Idol.”
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Posted: March 28th, 2008, 5:34am GMT
Andy Warhol’s portraits of famous Jewish people, now at the Jewish Museum, is an extension of his preoccupation with celebrity.
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Posted: March 28th, 2008, 4:45am GMT
In some ways, there is a grim, accidental timeliness in the release of “Stop-Loss,” which focuses on the ordeal of American soldiers in and out of combat.
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Posted: March 28th, 2008, 4:41am GMT
Juilliard honored Martha Graham, Antony Tudor and José Limón with “Dance Masterworks of the 20th Century,” an eloquently danced program of three pieces on Wednesday.
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Posted: March 28th, 2008, 4:40am GMT
“Traces” at the Angel Orensanz Center visits repertory from Monteverdi to Gorecki, with interludes by Judd Greenstein.
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Posted: March 28th, 2008, 4:19am GMT
“Re-Orientations” is a superb small scholarly show, one as revealing of the past as it is germane to the present, at the Bertha and Karl Leubsdorf Art Gallery at Hunter College.
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Posted: March 28th, 2008, 4:16am GMT
This collection of old and new tales reminds us that Tobias Wolff’s storytelling leans toward the traditional school of yarn spinning.
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Posted: March 28th, 2008, 4:11am GMT
A collection of Meissen porcelain, widely considered the best of its kind in private hands in the United States, is on view at the Frick Collection.
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Posted: March 28th, 2008, 4:10am GMT
“Making It Together” is an instructive supplement to “WACK! Art and the Feminist Revolution,” and a reminder that feminists could raise hell as well as consciousness.
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Posted: March 28th, 2008, 4:08am GMT
The show at the National Gallery of Art tells a fascinating story about the role of Fontainebleau’s famous forests in art, work, leisure and progress.
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Posted: March 28th, 2008, 4:01am GMT
No matter how much sex “The Tudors” has given us, it is a show that never gets quite dirty enough.
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Posted: March 28th, 2008, 4:00am GMT
“Flawless” is a mildly diverting period heist movie in which an odd couple conspire to loot an evil London diamond company, for which they both work.
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Posted: March 28th, 2008, 3:59am GMT
Stewart Copeland’s new trio sounded as if it was teetering on the edge of several musical worlds without quite making a definitive statement in any.
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Posted: March 28th, 2008, 3:58am GMT
“The Cool School,” a breezy, lively documentary about a thin slice of the Los Angeles fine art scene in the 1950s, is easy on the eyes, and the ears too.
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Posted: March 28th, 2008, 3:58am GMT
“My Brother Is an Only Child” is a lively minor addendum to the grand tradition of Italian fraternal cinema.
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Posted: March 28th, 2008, 3:57am GMT
Forget reality shows exalting American gluttony and savor the more refined amenities on the coasts of southern France in the cynical Gallic comedy “Priceless.”
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Posted: March 28th, 2008, 3:56am GMT
The mezzo-soprano continues to be the most engaging, consistently satisfying singers around, as proven in her recital at the Rose Theater on Wednesday.
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Posted: March 28th, 2008, 3:55am GMT
At the festival’s opening program at the Joyce SoHo on Wednesday, the artists seemed intent on exploring that rarefied air where the wacky and the engaging never meet.
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Posted: March 28th, 2008, 3:49am GMT
Greed is good and comes without a hint of conscience in “21,” a feature-length bore about some smarty-pants who take Vegas for a ride.
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Posted: March 28th, 2008, 3:48am GMT
Mr. Moser offered a passionate, colorful rendition of Scriabin’s tumultuous Fantasy in B minor on Tuesday at Zankel Hall.
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Posted: March 28th, 2008, 3:47am GMT
The soprano Deborah Voigt is expected to be back on Friday night in the final performance this season of Wagner’s “Tristan und Isolde.”
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Posted: March 28th, 2008, 3:46am GMT
The Grammy Award-winning rapper T. I., pleaded guilty in federal court on Thursday to three charges of illegally possessing weapons, reversing his plea of not guilty.
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Posted: March 28th, 2008, 3:45am GMT
The Allman Brothers Band announced on Thursday the postponement of its annual 15-show engagement at the Beacon Theater in Manhattan, scheduled for May 5 to 24.
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Posted: March 28th, 2008, 3:45am GMT
The Kirov’s director has given conflicting signals about whether he was leaving the company, saying as recently as Wednesday night that he was retiring.
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Posted: March 28th, 2008, 3:45am GMT
The board of the Harold and Mimi Steinberg Charitable Trust announced on Thursday the creation of two theater awards for American playwrights.
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Posted: March 28th, 2008, 3:44am GMT
Conor McPherson’s “Port Authority” begins previews in New York on April 30.
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Posted: March 28th, 2008, 3:43am GMT
In “The Fifth Column,” Ernest Hemingway’s play about love and espionage in the Spanish Civil War, the tough guy with a heart of gold is center stage.
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Posted: March 28th, 2008, 3:42am GMT
“Tracey Ullman’s State of the Union,” a new series that arrives Sunday on Showtime, is a one-woman travelogue of American fame, folly and misfortune.
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Posted: March 28th, 2008, 3:41am GMT
Walter Dundervill and Heather Olson demonstrated varying degrees of individual spirit in their shared program at Dance Theater Workshop as seen on Wednesday.
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Posted: March 28th, 2008, 3:40am GMT
Laurie Anderson continues to cast an analytical eye over American culture and politics in her newest piece, “Homeland,” at Zankel Hall as seen on Wednesday.
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Posted: March 28th, 2008, 12:38am GMT
The flailing, protagonists of “Backseat,” while not exactly 40-year-old virgins, can have avoided that fate only by the tender mercies of women with low expectations.
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Posted: March 28th, 2008, 12:09am GMT
Any film that dares attempt a nonjudgmental portrait of John Lennon’s assassin would most likely be accused of tastelessness, but in the case of “Chapter 27” the charges are justified.