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The free expression and diversity of religious beliefs is a tradition that goes back three and a half centuries, to Flushing’s beginnings.
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“Iron Man” is an unusually good superhero picture. Or at least — since it certainly has its problems — a superhero movie that’s good in unusual ways.
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This exceedingly handsome show features works by Jackson Pollock, Willem de Kooning and Barnett Newman.
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Mary Cassatt at Adelson Galleries, Gary Panter at Clementine, Mel Bochner at Peter Freeman Inc. and more.
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Robert Schlesinger’s valuable and painstakingly researched book charts the history of presidential speechwriters from the age of Jackson to our age of spin.
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Aliza Shvarts, the Yale University student whose senior art project created a frenzy last month has submitted a different work to the senior thesis exhibition, The Yale Daily News reported. Ms. Shvarts’s original work supposedly included documentation of repeated artificial inseminations and induced miscarriages. The university has said that it found no evidence to back up Ms. Shvarts’s story. It also would not allow her to show that work in a campus art exhibition unless she admitted that it was a fiction, which she did not do.
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The Morgan Library & Museum offers a spellbinding survey of Philip Guston’s drawings.
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Madonna celebrated the launch of her new album Wednesday night with an intimate show for 2,200 at New York City’s Roseland Ballroom.
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Ben Daniels is making a sensational Broadway debut in Rufus Norris’s eye-filling, very imbalanced revival of “Les Liaisons Dangereuses.”
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A show of metalworks at the Museum of Fine Arts, Houston, covers work by 37 architects.
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A sampling of an eccentric collector’s collection will be auctioned on July 9 at Sotheby’s in London.
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PBS’s adaptation of “Cranford” sends a message that single life turns women into dithering twits.
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“Redbelt” is a satisfying, unexpectedly involving B-movie that owes as much to old Hollywood as to Greek tragedy.
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“As Tears Go By,” Wong Kar-wai’s first feature film, heralds a new vision not yet in perfect focus.
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The romantic comedy “Made of Honor” adds tart satirical flavors to a cotton-candy formula without sabotaging the sugar rush.
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The moody, surreal “XXY” explores the world of Alex, an intersex teenager navigating the treacherous emotional and hormonal rapids of uncertain gender.
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“Mister Lonely” is enigmatic, its moods and meanings sometimes elusive, but nearly every frame is an image of arresting clarity and beauty.
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“Son of Rambow” is a likable, lightly sticky valentine to childhood, the 1980s and the dawning of movie love.
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A new book and a panel discuss the American avant-garde music movement of the last 40 years.
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Frank Wess converged the swing-era languages of Lester Young and Coleman Hawkins, using dynamics and silence and restrained strength on Wednesday at the Village Vanguard.
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The new production of Samuel Beckett’s “Endgame” is specifically grim but never merely glum.
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The orchestra’s David Fray coupled works by Bach and Pierre Boulez in lucid, sensitive and imaginative performances at Avery Fisher Hall on Wednesday.
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There was joy and wonder to be found in Wednesday’s “Symphonic Balanchine” program at the New York State Theater.
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After a run at the Teatro Real in Madrid, Plácido Domingo sang his first American Bajazet on Wednesday in a new Washington National Opera production of “Tamerlano” at the Kennedy Center.