While Feliciano dos Santos, one of southern Africa’s leading musicians, sings about love and sorrow, he is better known for songs of a more peculiar sort.
A tribute to Tim Russert, the NBC newsman and who died on June 13, is to be held from 12:30 to 2 p.m. on Tuesday at St. Peter’s Church at Citigroup Center, Lexington Avenue at 54th Street.
On Wednesday night at John Ryan Theater in Brooklyn, the second gala in the Wave Rising Series showcased the six companies that will perform through this weekend.
Tami Stronach’s “But it’s for you,” which had its premiere on Thursday at Danspace Project in St. Mark’s Church, depicts the grim, obsessive end stages of love.
The latest and least of the “Saw” films is just plain boring and even a little tame — albeit by the standards of a genre that helped bring the phrase “torture porn” into the lexicon.
Onstage, Lynda Carter, who opened a one-week engagement at Feinstein’s at Loews Regency on Tuesday, blends the confidence of a beauty queen with the attitude of a blues singer.
“Passengers” is a supernatural thriller so mechanically inept and lacking in suspense that it doesn’t even pass muster as lowbrow Halloween-ready entertainment.
RoseAnne Spradlin’s newest work, “Blue Liz,” shown on Thursday night at the Kitchen, finds its spark in Warhol’s 1963 painting “Blue Liz as Cleopatra.”
The director Steven Soderbergh, whose body of work includes the films “Schizopolis,” “Kafka” and “Ocean’s Thirteen,” is planning to make a rock ’n’ roll musical about Cleopatra.
Frustrated by what they describe as difficulty in getting their work produced, some female playwrights will air their grievances with New York theater representatives on Monday.
Dr Pepper announced earlier this year that it would give a free soda to everyone in the United States if the Guns N’ Roses album “Chinese Democracy” came out. Now, the beverage company will have to drink its words.
The once-foundering CW Network is offering a few indications this fall that it may have found a key to survival: high school kids in expensive clothes.
“D. L. Hughley Breaks the News,” which has its premiere Saturday on CNN, represents the channel’s belated (and risky) entry into the genre of news delivered with a satirical smile.
American Ballet Theater danced Jiri Kylian’s dreary “Overgrown Path” with the kind of bleak intensity and restrained anguish that it is all about at Thursday night’s company premiere.
The conductor David Robertson, a regular guest of the New York Philharmonic, led the orchestra through works by Brahms, Mozart and Bartok on Thursday night.