A new exhibition at the Queens Museum of Art juxtaposes drawings by Stephen Talasnik with its New York panorama, which has long inspired Mr. Talasnik’s work.
Jan Lievens, the subject of an interesting exhibition at the National Gallery of Art, is not a household name now, but in his time he was famous for his portraits and his religious and history paintings.
In “My Name Is Bruce,” a silly horror comedy that only a cultist could love, Bruce Campbell, the star of countless B-movie thrillers, mercilessly spoofs himself.
The cliché that the very best always sells will be tested on Thursday in New York at Sotheby’s sale “Important French Furniture, Decorations, Ceramics, Silver and Carpets.”
In what is shaping up to be a subdued art season, the annual International Fine Print Dealers Association Print Fair at the Park Avenue Armory is a reassuring presence.
MoMA’s first site-specific commission for the atrium is “Pour Your Body Out (7354 Cubic Meters),” a video, sound and sculptural installation by Pipilotti Rist.
“Joan Miró: Painting and Anti-Painting 1927-1937” is an absorbing, invigorating and — Miró would be mortified — beautiful show at the Museum of Modern Art.
“Zack and Miri Make a Porno,” in spite of its lewdness, follows a gee-whiz romantic-comedy formula that would not be out of place on the Disney Channel.
“Play On!,” the 31st edition of the Big Apple Circus, performed under its little big top in Damrosch Park at Lincoln Center, shining a spotlight on the music essential to the spectacle.
“Brotherhood,” which begins its third exceptional season on Sunday, is yet another Showtime drama featuring main characters who rationalize self-interest as altruism.
Trace Cyrus and Mason Musso of Metro Station sang peppy songs about barely legal sex to squealing young girls, many with parents in tow, at the Nokia Theater on Wednesday.
The Italian jazz pianist Enrico Pieranunzi, who is usually known for his good taste and good experience, gave a dull performance on Wednesday night at Birdland.
Daniel Bernard Roumain’s overcrowded score, performed at the Brooklyn Academy of Music on Wednesday, involved Abraham Lincoln, Charles Darwin and the Haitian singer Emeline Michel.
The Minneapolis Institute of Arts has returned a painting by Fernand Léger to the heirs of a French art collector after the museum concluded that the painting had been stolen by the Nazis during World War II.
David Rockwell, whose Rockwell Group has designed sets for Broadway shows including “Hairspray” and “Legally Blonde,” has signed on as set designer for the next Academy Awards show.
“Black Watch,” Gregory Burke’s play about a Scottish Army regiment’s perspective on the war in Iraq, has extended performances through Dec. 21 at St. Ann’s Warehouse in Dumbo, Brooklyn.
Le Poisson Rouge is following in the path of places like Joe’s Pub in the East Village and Barbès in Park Slope, clubs that mix classical and contemporary fare.