When the National Museum of American History reopens, it may begin to shed its reputation as one of the more cramped and confounding corners of the Smithsonian Institution.
“Chinese Democracy” is the Titanic ship of rock albums: It’s outsize, lavish, obsessive, technologically advanced and, all too clearly, the end of an era.
Faced with a severe financial crisis, officials of the Museum of Contemporary Art have had talks about a possible joint venture or merger with several other Los Angeles institutions.
Mr. Finkel was a noted American poet whose work teemed with curious juxtapositions, which in their unorthodoxy helped illuminate the function of poetry itself.
The News Corporation announced Thursday that Roger Ailes, the chairman and chief executive of Fox News, had signed a new five-year contract with the company.
Mr. Gertz was a prolific though often uncredited B-movie composer whose melodies haunt a spate of pictures with words like “Hell,” “Thing” and “Creature” in the titles.
“Pour Your Body Out,” a site-specific installation by the Swiss artist Pipilotti Rist, is arguably the first project to humanize the atrium of the Museum of Modern Art.
“Art and Love in Renaissance Italy” at the Metropolitan Museum promises romance, desire, expensive gift items and possible sex in the land of Romeo and Juliet and delivers on all counts.
While the détente continues between Senator John McCain and President-elect Barack Obama, normal relations have yet to be restored between Mr. McCain and the singer-songwriter Jackson Browne.
Patricia Cornwell, the best-selling author, has made a commitment of $1 million to the Harvard Art Museum’s Straus Center for Conservation and Technical Studies.
Stephen Colbert is delightful, a few of the song parodies are clever, but over all, the show is too long and more than a little strained, much like the holiday specials it mocks.
The bimonthly series tend to feature young composers who disregard the classical-pop divide. Wednesday’s installment was a showcase for the violist Nadia Sirota and the guitarist Andrew McKenna Lee.
When Sissy Spacek speaks her clichéd lines in the mediocre screenplay of “Lake City,” her delivery lends them a resonance that is not in the written words.
The multimillion-selling band from Oklahoma performed an entertaining set of blues rock and power ballads to the willing crowd at the Nokia Theater on Wednesday.
Hundreds of artifacts are being prepared for the opening on Tuesday of the Rock and Roll Hall of Fame Annex NYC, a $9 million branch of the Hall of Fame and Museum in Cleveland.
“Les Écailles de la Mémoire,” an exploration of black identity, has perfect timing politically speaking, but is only intermittently compelling to watch.
The Rockefeller Foundation has announced the recipients of its New York City Cultural Innovation Fund awards, which will give a total of $2.7 million to 16 cultural organizations.
Laura Linney has been named the host of “Masterpiece Classic,” a spinoff of the PBS series “Masterpiece Theater,” which was divided into three different shows in 2007.
The Broadway production of “American Buffalo” has posted a provisional closing notice and is likely to end its run on Sunday, a publicist for the show said.
The problems confronting the sprawling, anxious, compulsively talky Texan clan of 1987 in “Dividing the Estate” will be familiar to many American families at the moment.