- Linux on the iPhone: Linux on the iPhone! Linux 2.6 kernel has been ported to Apple's iPhone platform, with support for the first and second generation iPhones as well as the first generation iPod touch (tags: hacking hacktivism mobile software)
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Deep in the forest, something is subverting the natural order of nature. HC Gilje's Wind-up Bird(s) is a flock of electronic / mechanical woodpeckers mounted high in the trees of Lillehammer forest, Norway. Each
unit tapping out a sound like a real woodpecker. Networked through wireless modems, the units react to each other and encourage the 'real life' woodpeckers to join in. Wind-up Bird(s), was part of UT-21 polish norwegian art project, exploring the environment. The mechanical birds strip away our notion of birds to the strongest element that remains in our conciousness: their sound. How does the digital and the biological manage this relationship? The birds become a part of the acoustic community and within no time, there is dialogue between the two. The aim of UT-21 is to create 'interventionist art' that attempts to derail the natural flow of the environment. For a moment this happens with Wind-up Bird(s), but in no time at all nature has adapted more quickly than the machines.
Revolver, ISBN 9783865884558, Germany, 2008, English
Robbie Martin (as known as Fluorescent Grey) is a musician and provocateur who has become famous as a producer of fake material. He was responsible for the video of an American soldier’s beheading in Iraq (actually the "victim" was his friend Ben Vanderford aka The Great White Hype), which was
distributed in popular p2p platforms like Kazaa and Soulseek and was picked up by different authoritative media sources around the world. This experience informed Martin’s awareness of the incredible power of the internet to facilitate the circulation of (true or false) news and the ease with which it is possible to produce a faked appearance of reality. Thinking along these lines, Martin promoted a fake Autechre album called “Untitled” consisting of his own tracks. Many fans of the Warp Records' superstars were taken in by the stunt, provoking much resentment from the Autechre duo. Sean Booth was particularly vocal in his criticism of the fake version, suggesting the project was irrelevant. Booth's reaction has been cited by Martin as the principle cause of what he defines as a "childish retaliation". Martin’s version consisted of reverse engineering some Autechre tracks and distributing them as Max/MSP patches. Moving beyond any remark concerning the legitimacy of these kind of actions (and beyond any discussion of Autechre's famous awkwardness) the most interesting aspect here is that for many amateurs it represents the chance of producing their own version of some famous tracks, or- to use Martin’s words - taking a glance behind the curtain.
The MIT Press, ISBN 9780262026420, USA, 2008, English
"Tantalum Memorial", by the artists Harwood, Wright, Yokokoji is a telephony-based memorial built from a 1938 telephone exchange rescued from the old Alumix factory in Bolzano, Italy which is meant to address the people who have died in the "coltan wars" in the Congo. The project was built from a series of electromagnetic
Strowger switches which were instrumental in enabling the first automatic telephone exchange dating back to 1888. This device is connected to live phone conversations of London's Congolese community as they participate in "Telephone Trottoire", a concurrent project also built by the artists. The project functions as a "social telephony" network that calls Congolese listeners, plays them a phone message inviting them to record a comment and pass it on to a friend. This process builds off of the traditional Congolese practice of "radio trottoire" which includes the transference of news and gossip on street corners in order to avoid state censorship.
The MIT Press, ISBN 9780262633635, U.S.A, 2008
"Smiles Less Noise" a recent work by Japanese media artist and interface designer Daito Manabe, is part of a series of experimental technology works exploring cybernetics and the relationship between sound and physical expression known as the Taico Club Art Project. Always asking their trademark question, "What makes you smile?", this work
utilizes sensor technology to establish and explore the relationship between electrical impulses and sound and video. Sensors are placed on the subject’s face (or anywhere) to detect the subtlest of muscle electrode function. Then, Manabe engages in a dialog with his subject in order to elicit reactions. The electrical impulses from the muscles in turn cause variations in the music playing and video broadcast signal. The relationship is rather simple- if the subject smiles, there will be less static and noise however if the subject becomes angry, or there is an intensification in electrode impulses as detected by the sensors, more noise and visual static is generated; to the effect that accompanying audio track is discombobulated while the video is fragmented and colors fade.