Orchestral instruments don’t come more treacherous than the French horn, either for the musicians who play it, or, when the going gets rough, for the listeners who find themselves within earshot.
Edward Gardner led a polished and lucid performance of Mozart’s “La Clemenza di Tito” on Sunday at the Rose Theater as part of the Mostly Mozart Festival.
James Levine opened the Boston Symphony Orchestra’s summer season at Tanglewood with a concert performance of Berlioz’s biggest, meatiest and most hair-raisingly passionate score, the opera “Les Troyens.”
At Zankel Hall on Tuesday Mr. Fellner was as thoughtful and surprising as ever in his performance of works by Mozart, Schumann, Lizst, Holliger and Ravel.
After a run at the Teatro Real in Madrid, Plácido Domingo sang his first American Bajazet on Wednesday in a new Washington National Opera production of “Tamerlano” at the Kennedy Center.