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Items by By ANITA GATES

Nina Foch, Actress in Sophisticated Roles, Dies at 84

Posted: December 8th, 2008, 8:15am GMT by By ANITA GATES

Ms. Foch epitomized the cool, aloof blond sophisticate in films and on television for six decades while thriving as an acting teacher.

Theater Review | 'Lillian Yuralia': Healing Hearts: One Crotchety, Two Confused

Posted: November 19th, 2008, 5:35am GMT by By ANITA GATES

Barbara Eda-Young’s authorial restraint, and taut direction by Austin Pendleton keeps a story about a family on the Lower East Side touching but never saccharine.

Theater Review | 'The Doll Sisters': Returning to New York to Retell an Ancient Tale

Posted: October 25th, 2008, 4:50am GMT by By ANITA GATES

“The Doll Sisters” is a genteel and seductive play-with-marionettes now at the Annex Theater at La MaMa E.T.C.

Theater Review | 'Room to Panic': In New Land, Still Haunted by the Old

Posted: October 8th, 2008, 4:19am GMT by By ANITA GATES

“Room to Panic” is an elegant multimedia show about the immigrant experience in the United States.

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Television Review: 2 Men to the Rescue After Woman’s Trial by Fire

Posted: August 30th, 2008, 4:22am GMT by By ANITA GATES

“For the Love of Grace,” an attractive but lifeless Hallmark Channel movie, operates on the oversimplified premise that one traumatic event can destroy people and another can make them whole.

Theater Review | 'Animals Out of Paper': Works Well With Paper, Has Trouble With Life

Posted: August 5th, 2008, 3:33am GMT by By ANITA GATES

Rajiv Joseph’s “Animals Out of Paper” is alternately wrenching and funny.

Theater Review | 'Monsterface': Following as Plots Thicken and Thicken

Posted: June 10th, 2008, 4:57am GMT by By ANITA GATES

Way too much is going on in Daniel Roberts’s affable but disjointed drama.

Theater Review | 'Three on a Couch': A Writer Decides to Leave His Legacy and Enjoy It Too

Posted: June 10th, 2008, 4:51am GMT by By ANITA GATES

The three funniest words in “Three on a Couch” are JetBlue and Paula Abdul. And they are punch lines to two of the play’s rare straightforward pieces of humor.