The problems confronting the sprawling, anxious, compulsively talky Texan clan of 1987 in “Dividing the Estate” will be familiar to many American families at the moment.
It’s raining greenbacks in “Road Show,” the latest version of Stephen Sondheim and John Weidman’s long-aborning, ever-evolving and eternally slender musical about curdled American dreams.
Even Frank Langella, an actor who can be counted on to put the pepper in mashed-potato parts, doesn’t find much variety in the monolithic goodness of the title character of “A Man for All Seasons.”
If the televised Olympics are too sanitary and the hole-in-the-wall strip clubs too sleazy for your tastes, then perhaps you’ll find voyeuristic contentment in “Désir.”
Theatergoers who are truly passionate about the history and development of the musical will want to take advantage of the fleeting return of “Juno” to New York.
"Conversations in Tusculum” imagines the frustrations of fiery senators and warriors reduced to brooding in self-imposed isolation about the endangered civil freedoms of their republic.