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The Philharmonic came alive for the performance of Vaughan Williams’s Fourth Symphony, with a fierce unanimity in rapid string passages and great subtlety from winds and brass.
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On Thursday at Avery Fisher Hall, Michael Christie took on Elgar’s Violin Concerto, the Copland Third Symphony and a big-time symphony orchestra sitting in front of him.
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“Keys to the Future,” a three-concert affair at the Greenwich House’s tiny Renee Weiler Concert Hall, concluding on Thursday, is letting us know what piano music is like lately.
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The Met’s revival of Verdi’s “Ernani” is a step up for the evening’s Elvira, Sondra Radvanovsky.
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The stage of Weill Recital Hall became a crowded playpen of percussion instruments for Martin Grubinger’s evening of new and recent music on Friday.