The core of Franz West’s oeuvre, on display at the Baltimore Museum of Art, includes eccentrically shaped, modestly scaled abstract sculptures with crusty surfaces.
Jan Lievens, the subject of an interesting exhibition at the National Gallery of Art, is not a household name now, but in his time he was famous for his portraits and his religious and history paintings.
The beauty of Andrea Riccio’s Italian Renaissance sculptures, which are on display at the Frick Collection, is their nearly supernatural physical and psychological vitality.
An enthralling exhibition at the Museum of Biblical Art features 106 prints by Albrecht Dürer, the greatest printmaker — rivaled only by Rembrandt — the Western world has ever seen.
“That Was Then ... This Is Now” is an ambitious if disappointing effort to extend the activist spirit of the Vietnam War protest days into the Iraq war era.
Not every exhibition has to be more than the sum of its parts, especially when the parts are as gratifying as those making up “Medieval and Renaissance Treasures From the Victoria and Albert Museum” at the Metropolitan Museum of Art.