The bassist Christian McBride kicked off “Conversations With Christian,” a yearlong series of onstage dialogues, with words and music, at Dizzy’s Club Coca-Cola on Monday.
Near the midpoint of his sprawling, deeply satisfying show at Madison Square Garden on Monday night, Neil Young asked a simple question: “Where did all the money go?”
Sponsored and bestowed by the National Endowment for the Arts, the Jazz Masters awards have been a rare public accolade for jazz since they began in 1982.
There’s a struggle between wildness and solicitousness in the output of Cold War Kids, which is based in Long Beach, Calif., but somehow rooted in Southern boogie.
Muhal Richard Abrams, Amina Claudine Myers and the Wet Ink Ensemble performed at the Kitchen on Thursday to honor the Association for the Advancement of Creative Musicians.
Kasey Chambers performed with her husband and father at the Highline Ballroom on Tuesday in a show that felt leisurely, even informal, but also supremely polished.
The Roots of American Music Festival, held last weekend in Damrosch Park, adopted a flexible definition of roots music in an effort to build bridges and audiences.
Battles, Black Dice and Gang Gang Dance — three groups known for making a racket — played a free concert at Central Park SummerStage on Saturday afternoon.
The alto saxophonist Greg Osby has routinely been assessed over the last 20 years as a jazz progressive, the sort of musician who constantly pushes forward.
DJ Shadow and Cut Chemist have carved out an unusual niche together over the last decade, as sound collagists strictly devoted to the spinning of original-pressing 45s.
Under normal circumstances, you probably wouldn’t expect to see a Norwegian jazz-metal band on the same bill as a Brooklyn indie-pop outfit, a Baltimore art-rock duo and a calmly introspective singer-songwriter, also Norwegian. But that was the lineup at the Knitting Factory on Monday.