The latest and least of the “Saw” films is just plain boring and even a little tame — albeit by the standards of a genre that helped bring the phrase “torture porn” into the lexicon.
“Passing Poston” recollects one of the most shameful episodes in United States history: the forced internment of American citizens of Japanese descent during World War II.
In overlighted hallways and shady side rooms, the director, Leesong Hee-il, presents a remarkably frank portrait of low-rent South Korean homosexuality.