There are now many stylish performances of Handel’s “Messiah” to enjoy each year, like the annual offering by the Musica Sacra Chorus and Orchestra at Carnegie Hall, led by Kent Tritle on Monday.
Franco Zeffirelli’s production returned to the Metropolitan Opera on Monday for the first performance this season, with a fine cast that was not overshadowed by the gargantuan sets.
The sounds of Renaissance vocal music reverberating through the Church of St. Mary the Virgin made it easy to understand why the Council of Trent tried to ban it in the 16th century.
The genre-blurring group Bang on a Can All-Stars played a well-attended concert at Le Poisson Rouge on Saturday, meshing elements of jazz, rock, classical and world music.
A wide range of exotic instruments are regularly heard at Zankel Hall, but the soprano Dawn Upshaw’s concert on Sunday was unusual in that two of the composers had designed their own instruments.
With the Camerata Salzburg at Carnegie Hall on Monday night, Anne-Sophie Mutter demonstrated that she can play Bach with simultaneous nods to both the 18th and 21st centuries.
Edward Parks, a talented young baritone, sang like a man who had had his heart broken during a performance of Schumann’s “Dichterliebe” (Op. 48) at Christ and St. Stephen’s Church on Sunday.
Many Welsh speakers were in the audience at Carnegie Hall on Tuesday to hear more than 400 male choristers sing much of a program called “A Celtic Celebration,” with bass-baritone Bryn Terfel as soloist.
Steve Reich’s “You Are (Variations),” an intricate, bold and introspective work, was performed on Sunday at Le Poisson Rouge by Signal, a new chamber group.
If part of the aim of free concerts is to lure new listeners, the New York Grand Opera Company’s performance on Wednesday surely won a few new devotees.
A program called “Obsession à la Russe,” presented by the New York Festival of Song at Weill Recital Hall on Tuesday, was enlivened by the witty commentary of the able accompanist Steven Blier.
Love was the theme of the evening at Carnegie Hall, when the remarkable Siberian-born baritone Dmitri Hvorostovsky performed romances by Tchaikovsky, Medtner and Rachmaninoff.